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Marion Le Solliec, celtic and electric harpUC

Marion Le Solliec, celtic and electric harp

Marion Le Solliec is a french harpist from Brittany who fell in love with the harp, starting her journey at a conservatory in Paris. A few years later, she moved to Brittany, where she immersed herself in Celtic music and developed her musical ear through the oral tradition of folk tunes. While she has a deep love for both celtic and classical music, Marion has always been drawn to sounds you wouldn't expect to hear on a harp — rock, pop, metal... In 2011, she began playing on an electric harp, allowing her to blend her instrument with new genres and expand her creative expression. Her arrangements, covers, and original compositions have reached millions of viewers around the world across YouTube and social media and people tell her they started playing the harp after discovering her music. Subscribe and join the journey of a harpist breaking boundaries, one string at a time and be prepare to hear the harp as you’ve never heard it before.

137kFranciaFR
Autunno 2026

Non comune · Autunno 2026

Marion Le Solliec, celtic and electric harp

@marion_harp su YouTube

Francia Francia

Musica

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Marion Le Solliec is a french harpist from Brittany who fell in love with the harp, starting her journey at a conservatory in Paris. A few years later, she moved to Brittany, where she immersed herself in Celtic music and developed her musical ear through the oral tradition of folk tunes. While she has a deep love for both celtic and classical music, Marion has always been drawn to sounds you wouldn't expect to hear on a harp — rock, pop, metal... In 2011, she began playing on an electric harp, allowing her to blend her instrument with new genres and expand her creative expression. Her arrangements, covers, and original compositions have reached millions of viewers around the world across YouTube and social media and people tell her they started playing the harp after discovering her music. Subscribe and join the journey of a harpist breaking boundaries, one string at a time and be prepare to hear the harp as you’ve never heard it before.