The Strumbellas
The Strumbellas know that misery loves company — and that even in dark times, being together can spark joy. Since their 2012 debut My Father And The Hunter, the band has chased big hooks, group vocals, and folk-rock lift through their 2016 breakthrough Hope to 2024’s Part Time Believer. Their Juno and iHeartRadio-winning sound returns with Hard Lines, a bold new take on their signature blend of intimate emotion and stadium-sized folk energy. Determined to use every tool in their songwriting arsenal, the band started by turning inward — collecting stray titles, voice memos, and half-sung melodies from across the group. From Toronto, they reached out to trusted collaborators in Vancouver, Nashville, and LA to craft demos ranging from stripped-down whispers to full-on anthems. They then headed to Norman, Oklahoma, to record with producer Chad Copelin (LANY, Sasha Sloan, Colony House), whose sharp instincts helped shape the song’s edgier, textured alt-folk feel.
- ผู้ติดตาม
- 388k
- ยอดวิว
- 2 · รายการโปรด 0
- จำนวนใบ
- 0 · ผู้เล่น 0 คน
- กำลังขาย
- 0
มูลค่า
- ขายล่าสุด
- -
- มูลค่าเมื่อทิ้ง
- 5
คอลเลกชันถัดไป ฤดูหนาว 2026: ไม่ธรรมดา
เมื่อมีผู้ติดตาม 500k คน จะเป็น หายาก ในคอลเลกชันถัดๆ ไป
กดติดตามช่อง เพื่อให้การ์ดนี้ขึ้นระดับในคอลเลกชันถัดไป!
The Strumbellas know that misery loves company — and that even in dark times, being together can spark joy. Since their 2012 debut My Father And The Hunter, the band has chased big hooks, group vocals, and folk-rock lift through their 2016 breakthrough Hope to 2024’s Part Time Believer. Their Juno and iHeartRadio-winning sound returns with Hard Lines, a bold new take on their signature blend of intimate emotion and stadium-sized folk energy. Determined to use every tool in their songwriting arsenal, the band started by turning inward — collecting stray titles, voice memos, and half-sung melodies from across the group. From Toronto, they reached out to trusted collaborators in Vancouver, Nashville, and LA to craft demos ranging from stripped-down whispers to full-on anthems. They then headed to Norman, Oklahoma, to record with producer Chad Copelin (LANY, Sasha Sloan, Colony House), whose sharp instincts helped shape the song’s edgier, textured alt-folk feel.