CNubya Garcia
www.nubyagarcia.com Nubya Garcia isn’t an artist you can easily classify. Is it jazz? Sure, the London-born saxophonist, composer and bandleader grew up studying the genre under the noted pianist Nikki Yeoh at Camden Music. But it isn’t until you listen to albums like 2020’s Source and 2024’s Odyssey that you hear broader creativity shining through: It’s jazz, classical, dub, R&B and whatever else Garcia wants to convey. It all comes from a place of exploration and self-study, of wanting to do all the things across all disciplines while ignoring arbitrary boxes that don’t fit. Garcia’s sophomore album Odyssey, out in September 2024 via Concord Jazz, is a majestic feat on which she blends orchestral arrangements with R&B, jazz, broken beat and dub, resulting in a grand, nuanced record that feels airy and celestial without sacri cing the groove. It’s a deeply personal o ering about her trek to falling back in love with musical composition over the past four years.
GB
2026 가을- 구독자
- 18k
- 조회수
- 5 · 즐겨찾기 0
- 발행 수
- 1 · 플레이어 1명
- 판매 중
- 0
가치
- 최근 판매
- -
- 처분 가치
- 1
다음 컬렉션, 2026 겨울: 커먼
구독자 100k명이 되면 다음 컬렉션부터 언커먼 등급이 돼요.
다음 컬렉션에서 희귀도를 올리고 싶다면 채널을 구독해 보세요!
www.nubyagarcia.com Nubya Garcia isn’t an artist you can easily classify. Is it jazz? Sure, the London-born saxophonist, composer and bandleader grew up studying the genre under the noted pianist Nikki Yeoh at Camden Music. But it isn’t until you listen to albums like 2020’s Source and 2024’s Odyssey that you hear broader creativity shining through: It’s jazz, classical, dub, R&B and whatever else Garcia wants to convey. It all comes from a place of exploration and self-study, of wanting to do all the things across all disciplines while ignoring arbitrary boxes that don’t fit. Garcia’s sophomore album Odyssey, out in September 2024 via Concord Jazz, is a majestic feat on which she blends orchestral arrangements with R&B, jazz, broken beat and dub, resulting in a grand, nuanced record that feels airy and celestial without sacri cing the groove. It’s a deeply personal o ering about her trek to falling back in love with musical composition over the past four years.